North Dakota Corruption Joke
DEDICATED TO THE GREAT CIVIL LIBERTARIANS MR. ASSOCIATE JUSTICE WILLIAM O. DOUGLAS, MR. LARRY FLYNT, MR. AL GOLDSTEIN
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WELCOME !
THIS JOKE IS NOT ORIGINAL TO ME.......
I WILL JUST TELL IT...
IT IS REMARKABLE! VERSATILE.
ONLY THREE NAMES ARE NEEDED.
IT DOES NOT REALLY CHANGE IN IT'S BASICS.
JUST INSERT THE NAMES - THE CORRUPT, THE REPUBLICAN, THE PLUTOCRAT, THE DEMONS THAT INSIST THAT THE BIG LIE IS THEIR GREATEST MASTURBATORY FETISH - YEAH....
TO BREAK YOU IN GENTLY - I WILL USE MY NAME FOR EXAMPLE - TO DISPLAY MY SENSE OF HUMOR AND SELF DEPRECATION.
HOW DOES MARK NELSON KNOW THAT MARK NELSON IS HAVING HER PERIOD?
SHE CAN TASTE THE SHIT ON MARK NELSON'S CLIT.
OK ....
NOW APPLY TO THE APPARENT CORRUPTION FACTS IN THE MAIN.
HOW DOES WAYNE STENEHJEM KNOW THAT DREW WRIGLEY IS HAVING HER PERIOD?
SHE CAN TASTE THE SHIT ON RICK BERG'S CLIT.
WE WILL REVISIT WITH MORE NAME VARIATIONS.
-------------------------------------------------------------In furtherance of cultural edification:
"Here is the all inclusive image of Tsarist Russia, an almost square (63 x 66 inches) painting which says it all. It is the drawing- room of a comfortable middle-class house. The servants have just admitted a ragged, emaciated, unshaven figure who advances into the center of the room. His wife, facing us, looks up in astonishment. His children, doing their homework, are amazed, awed, beginning to shine with delight. In the center is his elderly mother - it is, perhaps, the personification of Mother Russia? - who rises from her chair and fixes her gaze on her son. He has returned from Siberian exile. Characteristically the chaotic, hopeless and grotesquely inefficient state has given his family no warning, and they having had no news of him for years, had given up hope. So here he is, raised from the dead like Lazarus; but there is no Christ to thank, and there is shock, surprise, bafflement, almost dread in the reactions - gratitude and happiness will come later. This is one of the greatest paintings produced in the nineteenth century - perhaps the greatest - which needs to be looked at again and again. The viewer is present behind the mother at the back of the room, and participates in this deep entry into the Tsarist state and society. It is a work people will turn to in hundreds of years' time, for an answer 'What was it like?', as resonant in its own way as Tchaikovsky's Symphonie Pathetique or Dostoevsky's The Brothers Karamazov."
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Alisa Weilerstein at the White House in 2009 performs Zoltán Kodálys Sonata for Solo Cello, Op. 8 and III. Allegro molto vivace
Chris Hedges speaks at The Sanctuary for New Media, Troy, New York 3 November 2018